Finished and gone

Yesterday’s moebius cowl was frogged and returned to a ball of yarn. Ribbet.

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A new version of the cowl is on the needles with the correct stitch count, after I took another look at Cat Bordhi’s video. The yarn is too pretty to be a mistake.

A couple of weeks ago, I finished weaving six twill placemats.

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They have found a new home.

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They looked better in person – a little narrow with a short fringe. I used 3/2 cotton and a draft from Twills on Four Shafts. I surprised myself with the pattern. I am still working on reading drafts and visualizing the woven fabric. I really shouldn’t be surprised.

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My first moebius cowl

To frog or not to frog? That is the question. Whether ’tis nobler in the mind to suffer the…

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What fun and magic to knit a moebius cowl. The ingenuity of knitting a long-did I say long?- beautiful piece of fabric with a twist. The pattern was Sivia Harding’s Harmonia’s Rings

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I enjoyed Cat Bordhi’s video, which showed me how to cast on for the moebius to get one twist in the round. Magic!

I didn’t pay enough attention to the part that describes how to count these double stitches. Instead of casting on 100- 200 doubled stitches, I cast on 240-480 doubled stitches. Don’t ask me how. I thought it took me a while to knit a round. So long, in fact, that I never bothered to count the number of stitches in a round. There were too many.

Because it was worked in the round, with a twist, it was hard to get a sense if what I was working on.

Now I have a beautiful piece of fabric, twice as wide and half as long. The yarn was from Zen Garden. Did I mention I ran out of yarn 2/3 through my bind off. I had some leftover sock yarn, which miraculously matched perfectly. That miracle still occurred within a mistake though.

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So now, I have a beautiful, useful cowl, which only I will know has a moebius twist. If I loop it twice around my head the twist is lost. It feels so smooshy and soft though and can also form a hood.

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Is that enough? Or do I frog? Is this a problem or an opportunity?

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Seeking warmth

With cold weather, I want the warmest mittens. Scandinavian countries and other northern regions have their own unique styles. I am a firm believer that wool is the best insulator. Sheep seem to agree.

We went for a several hour, cross-country ski explore last weekend when the temperature was in the teens. Here’s the view from up behind our house.

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On the trip, I tumbled, toppled and fell flat on my face – literally, when my skis came to a stop under a fallen log. At least I can get up again without a problem now. My mittens

20130215-075946.jpg were caked with snow, damp on the outside and frozen – yet they remained warn until the end of the trip. They were stranded colorwork – knit with two yarns at once, when one isn’t used, it is carried behind the work and forms a loose, double layer fabric. Plus those mittens have an additional alpaca lining. The lining felted a bit from my sweating palms, and that is part of the process. The felted fabric, think boiled wool, is denser and warm.

The thrum mittens I sent to a friend use extra strands of wool roving to add a soft, cushy lining on the inside – and they match her jacket beautifully.

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These various mittens are warm, with designs or techniques often unique to their region.

I visited the Lake Placid library the other day and stumbled upon two beautiful books about warm knitting techniques – and someone who knew me by my knitting and this blog!

The first is <a href="http:// http://pagead2.googlesyndication.com/pagead/show_ads.js“>Twined Knitting: A Swedish Folkcraft, published by Interweave in the 1980’s. Used copies now fetch more than $50; it has become a collector’s item because it sold for $19 new. It has the history of twined knitting, techniques and patterns. I am working on a sampler mitten and live the fabric. It’s a dense, double layer, stretchy fabric.

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The texture techniques were usually worked in one color but I found some beautiful Koigu yarn while on my trip to Lake Placid and am playing with it. Some successes and some not.

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A lot of time is spent in untwisting the twist which invariably builds up. Twined is roughly translated from two-ended because when worked in one color, you knit from both ends of the same yarn. Here’s the technique, which works for me.

20130215-082503.jpg I tied both balls of yarn together like a package and secured them with a half hitch knot. To untwist, I dangle the yarn and let it unwind on its own.

Next I am going to knit and felt some Danish mittens from techniques in Felted Knits. When the temperature drops to minus ten Fahrenheit, on more than one occasion, I seek warmth – and indoor hobbies (obsessions).
Here’s a link to a filmmaker, Andrea Odezynska, a friend just told me about. She has recently made a film, Felt, Feelings and Dreams, about Kyrgyz women who returned to felt making after the collapse of the Soviet Union. This is on my must see list. Here’s a review from an early screening.

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Woman’s work

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Somewhere this week, perhaps in a medical journal, I read that couples who perform traditional domestic roles at home are happiest. I am very happy. But not traditional.

Yesterday I conquered the remainder of our, phase one, wood pile. This is wood we acquired 2-3 years ago and its time has come to warm the house. I developed a new way to shorten the logs because I was having all sorts of trouble with the chain saw – most importantly, I can’t start it the first time if it’s cold outside.

I split everything but the gnarly, root like pieces of wood, made a pile, then cut them to length with the table saw. Pretty sweet. I filled the wood box, made a nice pile for future use and am ready to attack the next phase of wood, popple (poplar) which splits like buttah. Very rewarding.

My back was a little broken and I wore holes in two pairs of wool gloves. Time to darn them and make a pair of traditional Adirondack buff mittens, the loggers, like me, used to wear.

This photo is from the Adirondack Museum.

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I have two knitting projects, one weaving project and a quilt in the works.

I’m working on a pair of bird mittens for a birding enthusiast. I was thrilled when I figured out how to flip the chart to reverse the pattern and to reverse the color scheme of the chart, digitally, with the flick if a switch. I was so clever, I forgot to knit the opposite chart on the second mitten.

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I put the mittens aside and started a birthday hat yesterday.
The loom is warped and I’m dazzling myself with an advancing twill.

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I have a lot to learn to keep happy.

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Unfinished business

It’s a sad day when you are invited to raid another crafter’s home. I didn’t know this woman but friends did and her widower kindly offered to give away her fabric stash and library.  I’m not an opportunist, but got more involved in weaving after I acquired equipment, I couldn’t even name, at an auction of another local crafter’s home (raddle and bobbin winder).

In both instances, the saddest items to see were the unfinished works in process.   Were they abandoned earlier or still active projects? The family had already gone through everything and this is what they didn’t want.

A baby quilt, which only needs a few seams, with Dresden plates I would probably never make myself.
Dresden Plate baby quilt

 

Or a larger version.

Unfinished business 008With a separate patch  quilt.     Unfinished business 003

Some patches and more Dresden Plates.

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And, what I thought was a reasonable amount of fabric.

Unfinished business 010This made it imperative to organize my fabric, which had been stuffed into shelves.  I try to make it seem as if I don’t have a lot because, not only do I have a store of fabric,  there is raw fiber for spinning; spun and purchased yarn for knitting; weaving cotton for weaving; and fabric for quilting.  It will be much harder to find my entire stash because  it is literally tucked away all over the house.  In what appear to be empty suitcases, in an old trunk, in various baskets.  I read about one woman who stored her yarn in the  “boot” of her car.

All of this made me think  of organizing at least my fabric, craft library and weaving cotton.

First, all the fabric went into piles with similar prints or colors.

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Then it went back on the shelves with more  order.  Now if only Tim would straighten out his stuff.

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Almost finished projects were kept together and I will piece them in a pinch.  In the meantime, I went back to working on my blue and white quilt with a clear head.

 

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Strings and strings

I worked on an overshot pattern I had on my floor loom for as long as I could tolerate it and then decided it was time for something else. Since I still had a lot of yarn warped, I decided to rethread it. It went easily but I made a bunch of mistakes in an 8″ warp!

Two threads were in the wrong heddles and I couldn’t just slide the right ones over because the area was closed in by threads. I needed to insert a new heddle and I remembered reading about string heddles. So I improvised and made a couple and saved the day – or at least the hour.

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They work quite well and now I’m off weaving some huck lace from Judith Davison’s book of patterns.

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There’s still a mistake, which is way more obvious in the photo than in real life but I couldn’t figure out, so it remains and becomes a design element.

My Ashford reed holder, double weave wall hanging is progressing slowly but nicely. It’s probably a good thing the lower layer will be against the wall.

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I got a chance to use my yarn swift and nostespinne and wound a few balls of cascade 220 to begin Alice Starmore’s St. Brigid. I went down a needle size and eliminated the first chart to make a more fitted sweater.

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At this point, I’m very proud of the ball of yarn. I’m not sure if the sweater will be done by Christmas but certainly by winter’s end.

Warped mind

I learn backwards. Sdrawkcab! I progress from hard to easy. I did it with spinning; I used a wheel first then downsized to a spindle and now I am doing it with weaving.

I wanted to try overshot, which is a simple but complex form of weaving. I have a book called “Learn to Weave” and it is covered in Chapter 15 (out of 16 chapters).

I have a wonderful book of patterns published in the 1940’s. As an aside, I learned from it why I love linen so much. The author states you can tell linen from cotton because linen gives up stains easily with mild soap and sun, cotton doesn’t and holds the stains. Something to do with the nature of the fiber. And here I thought I was a phenomenal laundress! At least it justifies my linen addiction.

Back to weaving. Instead of using a tried and true draft (pattern) I found one I liked on the Internet and imported it into my iPhone weaving app: iWeaveit.

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Looked good, so off to the loom I went.

I warped the loom and eagerly began weaving and it looked terrible. I went back to the book and learned the pattern didn’t obey a rule of overshot and the software didn’t know any better. Whoever uploaded the pattern probably created it in theory without trying it out.

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But through this fiasco, I learned big lessons and now understand overshot weaving more than if everything went by the “book”.

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Cards anyone?

I am getting the hang of my latest venture into card weaving. I warped and wove this second sample last night.

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In contrast, I am about halfway done tying on my new warp of 500+ threads. Before I started, I looked up how to tie a weaver’s knot or sheet bend and found this great video.

Now that I have done it about 200 times, I have finally figured out how to keep the knot from “capsizing” and falling apart.

Sew what

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No time to blog. Obsessions overtook me. I wanted to finish knitting ( actually modify) the Na craga sweater I made my son, just in time for his summer graduation.

I found beautiful fabric and decided to make my own wrap dress for his graduation (photo to follow, I’m on the road without my laptop). Perhaps a little frumpy but the fabric was beautiful. I prepared and presented a talk about ob/gyn EMS emergencies.

Then on to favorite daughter’s birthday. I made her a potholder, to remind her of her favorite cat, and finished her quilt. I had it waiting for her on my hotel room bed! The quilt not the cat.

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This was my first attempt at free form, machine quilting a queen size quilt and oh what fun I had. Really. I use an old Singer and had bought a special darning foot but couldn’t get the darn thing to sew properly. For two whole days! So I loosened the feeder foot, put a business card over the feeder dogs, and away I went. It was like doodling on fabric.

Now, to the loom before my sewing thread sets the needle and hauls me in, back to the machine … For a blouse, another dress, linen pants, finish two quilts and begin my next large quilt (planning in process).